The Sensational Beginnings of Yellow Journalism

In1898, newspapers provided the major source of news in America. At this time, it was common practice for a newspaper to report the editor's interpretation of the news rather than objective journalism. If the information reported was inaccurate or biased, the American public had little means for verification. With this sort of influence, the newspapers wielded much political power. In order to increase circulation, the publishers of these papers often exploited their position by sponsoring a flamboyant and irresponsible approach to news reporting that became known as "yellow journalism." Though the term was originally coined to describe the journalistic practices of Joseph Pulitzer, William Randolph Hearst proved himself worthy of the title. Today, it is his name that is synonymous with "yellow journalism."

How journalism influenced the Spanish/American War
he press played a tremendous part in leading the charge toward America's involvement in Cuba. Two publishers, William Randolph Hearst and Joseph Pulitzer, stood out among these opportunists. They perceived the conflict with Spain as their chance to increase circulation of their newspapers. Seizing upon the opportunity to capitalize on the growing spirit of American patriotism, Hearst and Pulitzer printed sensational anti-Spanish stories. Graphic illustrations commissioned from some of the country's most-talented artists and stories written by premiere authors and journalists of the day were fodder for fueling the flames of war. Together, Hearst and Pulitzer created a frenzy among the American people by reporting the alleged brutality of the Spanish toward the Cuban rebels. (However, acts of outrage committed by the Cubans were seldom mentioned.) By the time the USS Maine exploded in Havana Harbor, the pro-war press had roused national sentiment to the point that President McKinley feared his political party would suffer if he did not engage in war with Spain.